The veena is a Carnatic or South Indian instrument and is symbolically associated with Saraswati, the Hindu goddess of education, music, and the arts.
Partition will feature several different raags or melodic modes. In order to compose the music, Sridharan read the script and watched the scenes between Ramanujan and Namagiri. Through this process, the veena itself has become a kind of character, empathizing and moving with the action of the play.
A fun interview with some of the characters from Shunya’s next production!
Partition opens August 2, 2013. Details on our main page.
Here’s the announcement:
Fluid Productions will be hosting auditions for actors for the 2nd Annual Houston Talent Showcase! We’ve partnered with Naach Houston and Masala Radio to bring the best and most talented actors to the forefront of our community and present the finalists in a showcase that will ultimately give the winner a scholarship to work on film and television with Fluid Productions.Auditions are being held during the month of July but are being scheduled privately so you can show us what YOU’ve got!Please contact Moon Mehmood at firstname.lastname@example.org ORSunita Dharani at email@example.com
to schedule an audition time.Actors : Please prepare a 30 second monologue from any film or play and be prepared to share that with us. We might give you a situation and ask you to improv, be prepared for that as well.We will have 4 finalists who will each have the opportunity to make short films with Fluid Productions for the Showcase, which will be Friday September 06.We hope to see YOU audition for the Houston Talent Showcase!
Ramanujan: Billington, let me explain. One plus two equals three.
Billington: I know that.
Ramanujan: And one plus one plus one equals three. And three plus zero equals three.
Billington: Don’t look at me with such concern. I’m not a donkey.
Ramanujan: That gives us three different ways to add up integers to equal three. These are partitions. The number of partitions of the number three is…three.
Billington: I’m ready for the climax.
The topic of math is impossible to avoid in the rehearsal room. However, for those with severe allergic reactions to numbers and algebraic symbols, please don’t run away. Shunya’s latest production Partition isn’t all math. It’s actually about you.
Maybe you don’t work with numbers on a daily basis, but you definitely work with partitions. How many ways can you partition a group of friends or co-workers or students or sports teams or foods or movies or songs or whatever? There may not be a formula for this, but it’s something we seem to do automatically and systematically. It’s a continual process of differentiation and separation.
This process is necessary to establish identity. I am Sara, and you are not. I am from Neptune, and you are from Earth. And so on.
Although we are constantly drawing lines, we are also simultaneously forming threads of connection between different people and ideas. These connections are also needed to establish identity. I belong to a family of nuts. This innermost circle establishes my identity in many ways.
At its core, Partition is a play about characters (dead and living, divine and mundane, brilliant and broken) who just like us are struggling to draw lines and circles on a stage.
Over the past few weeks, as a cast and crew, we have experienced the partitions that divide us: ethnicity, age, religion, occupation, etc. But we are bounded by something more than a script now. We are bending the lines and turning them into newly fashioned loops. We hope you will join us in August and bring your own numbers, words, and colors to our stage.
Long-time Houston resident Anis Shivani (twitter) will read from his collection The Fifth Lash and Other Stories at Brazos Bookstore (map) on June 13th at 7pm. The Fifth Lash was recently released by C&R Press and currently on the longlist for international Frank O’Connor short story award.
The Fifth Lash and Other Stories received advance praise from Ron Rash, Gina Ochsner, George Singleton, Murzban Shroff, and others. Publishers Weekly wrote: “These new stories from Shivani, many set in Pakistan, parse the disconnect between public and private behavior, and the desires that must be muted in order for people to survive. Shivani is a perceptive writer who puts his finger on the contradictions his characters navigate to survive daily life.”
Anis’s debut novel Karachi Raj will be released in October 2013. In criticism, Anis’s books include Against the Workshop (2011), the recently completed Literature at the Global Crossroads, and a book in progress called Plastic Realism: Neoliberal Discourse in the New American Novel. Anis’s other books include My Tranquil War and Other Poems (2012), Anatolia and Other Stories (2009), the recently completed Soraya: Sonnets, and a novel in progress, Abruzzi, 1936.
Anis’s work appears in the Southwest Review, Boston Review, Threepenny Review, Prairie Schooner, Agni, Epoch, Fence, Boulevard, Pleiades, Denver Quarterly, George Review, Iowa Review, Michigan Quarterly Review, Antioch Review, Subtropics, Colorado Review, Times Literary Supplement, London Magazine, Cambridge Quarterly, and many other journals. He won a 2012 Pushcart Prize, and graduated from Harvard College.